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Gregor Hildebrandt

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»Installation view Kunsthalle Recklinghausen. Recklinghausen, Germany, 2018«,
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»Installation view Kunsthalle Recklinghausen. Recklinghausen, Germany, 2018«,
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»Installation view Kunsthalle Recklinghausen. Recklinghausen, Germany, 2018«,
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»Installation view Kunsthalle Recklinghausen. Recklinghausen, Germany, 2018«,
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»Installation view Kunsthalle Recklinghausen. Recklinghausen, Germany, 2018«,
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»Installation view Kunsthalle Recklinghausen. Recklinghausen, Germany, 2018«,
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»Installation view Kunsthalle Recklinghausen. Recklinghausen, Germany, 2018«,
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»Daddy you and I«,
2018<br />
cut vinyl records, canvas, wood,
292 x 840 cm<br />

»Daddy you and I«,
2018<br />

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detail

»Ich sammle die Koordinaten auf Anfang geschaltet mein Atem (Anne)«,
2019<br />
cut vinyl records on wood,
163 x 154 x 5 cm<br />

»Sonntage waren schon lang lang, das was ich am Besten kann (Anne)«,
2019<br />
cut vinyl records on wood,
155 x 162 x 5 cm<br />

»Ich hab mich wieder verlaufen ein roter Hund ist geblieben«,
2019<br />
cut vinyl records on wood,
106 x 122 x 5 cm<br />

»lights shell sound (PAAR)«,
2018<br />
cut vinyl records, canvas, wood,
154 x 131.5 cm<br />

»You are fear (PAAR)«,
2018<br />

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detail

»You are fear (PAAR)«,
2018<br />
cut vinyl records, canvas, wood,
154 x 131.5 cm<br />

»gibst Du mir Steine geb ich Dir Sand«,
2018<br />
cut vinyl records, canvas, wood,
154 x 130 cm<br />

»Das Feld«,
2016<br />
cut vinyl records and canvas on wood,
174 x 130 cm<br />

»Albers (Anni) Sterne«,
2018<br />
cut vinyl records, canvas, wood,
258.5 x 194.5 cm<br />

»Ein Eindruck eines Klangs«,
2015<br />
cut records on canvas and wooden board,
143 x 102 cm<br />

»Albers (Anni) Sterne«,
2018<br />

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detail

»Wanderlust. Eiger, Mönch und Jungfrau«,
2018<br />
cassette tape on canvas,
196.5 x 128.5 x 5 cm<br />

»sie schreien in Chören doch keiner will sie hören (Malaria Geh Duschen)«,
2018<br />
cassette tape on canvas,
152 x 152 cm<br />

»sie schreien in Chören doch keiner will sie hören (Malaria Geh Duschen)«,
2018<br />

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detail

»Ich hab mich auf den Boden gelegt (Toco)«,
2018<br />
cassette tape on canvas,
241 x 190.6 cm<br />

»Ich hab mich auf den Boden gelegt (Toco)«,
2018<br />

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detail

»Und mir unendlich fern (George)«,
2017<br />
laser gravure on granite, metal structure,
474 x 354 x 12,5 cm<br />
Installation view sculpture Triennial Bingen, Germany 2017

»Säule«,
2018<br />
bronze,
h=800, Ø 27 cm<br />
Installation view, Petit Palais, Paris, France

»Details of Säule«,
2018<br />

h=800, Ø 27 cm<br />

»Installation view The Bass, Miami, USA, 2014/2015«,
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»Offene Türen«,
2017<br />
magnetic vhs coating, adhesive tape and acrylic on canvas,
222 x 166 cm<br />

»Spellbound (Hitchcock)«,
2017<br />
VHS tape and acrylic on canvas,
222 x 166 cm<br />

»... all through the evening (L. Cohen)«,
2016<br />
magnetic cassette coating, adhesive tape and acrylic on canvas,
249 x 164 x 4 cm<br />

»there’s music on Clinton Street ... (L. Cohen)«,
2016<br />
cassette tape and acrylic on canvas,
253 x 168 cm<br />

»GH Gardone«,
2017<br />
magnetic cassette coating, adhesive tape, acrylic on canvas,, brass frame,
217 x 162 x 5 cm<br />

»schwere See, mein Herz«,
2018<br />
magnetic vhs coating, adhesive tape, acrylic on canvas,
229 x 174 cm<br />

»Stay with me I need support (P.G.)«,
2016<br />
magnetic cassette tape coating, adhesive tape and acrylic on canvas,
220 x 165 cm<br />

»Es ist ein Stoppelfeld in das ein weißer Regen fällt«,
2015<br />

303 x 480 cm<br />

»(Von unerhörten Küssen naß) Vom Frost eisweißer Nacht zerrissen (Nach B. Brecht)«,
2014<br />
cassette tape and acrylic paint on canvas,
129 x 92 cm<br />

»Oh Himmel, strahlender Azur ((Bertold Brecht) in Gedanken an Peter Lang)«,
2014<br />
cassette tape and acrylic paint on canvas,
129 x 92 cm<br />

»Da blüht der Flieder (wenn es Mai ist) (Konstantin Wecker)«,
2014<br />
cassette tape, adhesive tape, and acrylic paint on canvas,
222 x 156 cm<br />

»Installation view Perrotin, New York, USA, 2014«,
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(Photo by Guillaume Ziccoreli)

»Und doch läßt etwas Kirschen blühen im April (Konstantin Wecker)«,
2014<br />
cassette tape and acrylic paint on canvas,
222 x 156 cm<br />

»pink mich zu Ende«,
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start and end of audio cassettes and acrylic on canvas,
74 x 74 cm<br />

»trüb grau ins blau (detail)«,
2017<br />

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»trüb grau ins blau«,
2017<br />
start and end of audio cassettes on canvas,
97 x 97 cm<br />

»wandert rot zu rot«,
2016<br />
start and end of audio cassettes on canvas,
49 x 49 cm<br />

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»Zickzack-Raute (Anfänge und Enden)«,
2016<br />
start und end tapes of audio cassettes und acrylic on canvas,
112 x 112 x 3 cm<br />

»Zickzack-Raute (Anfänge und Enden) (detail)«,
2016<br />

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»Enden gehen und vergehen«,
2016<br />
start and end of audio cassettes on canvas,
147 x 107 cm<br />

»Installation view, Künstlerhaus Bethanien, Berlin, Germany, 2016«,
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»Installation view, Künstlerhaus Bethanien, Berlin, Germany, 2016«,
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»Installation view, Künstlerhaus Bethanien, Berlin, Germany, 2016«,
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»Installation view, Künstlerhaus Bethanien, Berlin, Germany, 2016«,
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»Installation view, Künstlerhaus Bethanien, Berlin, Germany, 2016«,
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»Installation view Saarlandmuseum, Saarbrücken, Germany, 2015/2016«,
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»Installation view Saarlandmuseum, Saarbrücken, Germany, 2015/2016«,
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»Installation view Saarlandmuseum, Saarbrücken, Germany, 2015/2016«,
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»o. T. (Mama)«,
2015<br />
ink jet print, inlays and plastic boxes in wooden case,
159 x 112 cm<br />

»Burning from the inside«,
2017<br />
ink jet print and plastic boxes in wooden case,
319 x 297 x 9 cm<br />

»Im Zimmer die Decke betrachtend«,
2018<br />
ink jet print, inlays and plastic boxes in wooden case,
170 x 125 cm<br />

»Marlene gespiegelt im Kasten«,
2015<br />
ink jet print, inlays and plastic boxes in wooden case,
160 x 112 cm<br />

»Ich sehe durch weiße Wolken in offene Arme«,
2016<br />
ink jet print, inlays and plastic boxes in wooden case,
160 x 112<br />

»Eine Welle die uns trägt«,
2012<br />
ink jet print, inlays and plastic boxes in wooden case,
159 x 111 cm<br />

»KS-Painting mit Marmorierung«,
2009<br />
ink jet print, inlays and plastic boxes in wooden case,
213 x 147 cm<br />

»Regen prasselt auf Boden (Holz)«,
2017<br />
cassette tape, cassette wheel and canvas on wood in brass frame,
178 x 138 x 5 cm<br />

»und dann auf Sterne sehn«,
2015<br />
cassette tape, cassette wheels and canvas on wood,
274 x 174 cm<br />

»Heide«,
2017<br />
cassette tape and canvas on wood,
170 x 130 cm<br />

»Heide (detail)«,
2017<br />

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»Installation view, Wentrup, Berlin, Germany, 2015«,
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»Installation view, Wentrup, Berlin, Germany, 2015«,
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»Mirror and Corpse«,
2017<br />
magnetic cassette coating, adhesive tape and acrylic on canvas, brass frame,
144 x 94,5 cm<br />

»Mirror and Corpse (detail)«,
2017<br />

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»Elliptische Schatten Platte (in den orphischen Schatten)«,
2015<br />
cassette tape coating and adhesive tape on canvas on wood,
Ø 92 cm<br />

»Target Platte«,
2014<br />
plexi, cassette reel, cassette tape, wood,
ø 172 cm<br />

»Installation view, Künstlerhaus Bethanien, Berlin, Germany, 2016«,
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»Matroschkiatische Systeme«,
2013<br />
4 individual works, cassettes tape, acrylic and adhesive tape on canvas,
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Installation view Wentrup, Berlin, Germany, 2013

»Installation view Wentrup, Berlin, Germany, 2013«,
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»Installation view Perrotin, New York, USA, 2014«,
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(Photo by Guillaume Ziccoreli)

»Installation view Perrotin, New York, USA, 2014«,
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(Photo by Guillaume Ziccoreli)

»1:1 ist jetzt vorbei (Trickser IV Toco)«,
2013<br />
Cassette tape and dispersion on canvas,
209 x 129 cm<br />

»Übersetzer zwischen Tag und Nacht (Trickser III Toco)«,
2013<br />
Cassette tape and dispersion on canvas,
209 x 129 cm<br />

»Jade grün«,
2013<br />
Cassette tape, acrylic and adhesive tape on canvas,
222 x 147 cm<br />

»Matroschkische Schalen«,
2013<br />
Video tape and wheel,
11 cm high and 31 cm diameter<br />

»Frühstück im Fleury (Blume E.N.)«,
2012<br />
Cassette tape and dispersion on canvas,
192 x 174 cm<br />

»Objekt nach René Daniels«,
2012<br />
Record, pencil,
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»Installation view Museum van Bommel van Dam, Venlo, The Netherlands, 2012«,
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»Installation view Museum van Bommel van Dam, Venlo, The Netherlands, 2012«,
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»Installation view Museum van Bommel van Dam, Venlo, The Netherlands, 2012«,
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»Installation view Museum van Bommel van Dam, Venlo, The Netherlands, 2012«,
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Column with marble plinth, 262 x 31 x 31 cm
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»Wand (Les 100 Plus Belles Chansons - J. Brel)«,
2011<br />
Cassette tape on canvas in 5 parts, column, mixed media,
5 Teile à 274 x 198 cm<br />

»Wand (Les 100 Plus Belles Chansons - J. Brel)«,
2011<br />

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details

»Stella Bild (de la nada vida a la nada muerte)«,
2010<br />
Mini dv tape on canvas,
215 x 744 cm<br />

»Nimm dir was du brauchst (Verschwende deine Jugend)«,
2010<br />
cassette tape and dispersion on canvas,
268 x 528 cm<br />

»führe mich sanft...(Tocotronic)

Cassette tape on canvas, 279 x 179 cm each
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»Weiße Nacht hängt an den Bergen«,
2009<br />
Cassette tape on paper,
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Leporello without Box

»Rauch«,
2009<br />
Cigarette butt,
33 x 33 x 33 cm<br />

»Installation view Berlinische Galerie, Berlin, Germany, 2009«,
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»Installation view Haus am Waldsee, Berlin, Germany, 2008«,
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»Theresa's Soundworld (Sonic Youth)«,
2008<br />
Cassette tape, dispersion on canvas,
174 x 116 cm<br />

»Klangteppich«,
2008<br />
Cassette tape,
374 x 244 cm<br />
Carpet made out of audiotape

»Joy Division- ´Substance´«,
2007<br />
Cassette tape, acrylic on canvas,
174 x 135 cm<br />

»Die Bilder der Freunde in der Küche«,
2005<br />
Mixed media on canvas,
130 x 310 cm<br />

»The Carny N.C. (San Michele)«,
2004<br />
Cassette tape on canvas,
274 x 447 cm<br />

»Ziggy«,
2002<br />
Cassette tape on canvas,
174 x 107 cm<br />

»I am Deranged (Lost Highway [David Bowie])«,
2001<br />
Cassette tape, crepe oil on canvas,
200 x 300<br />

»The Figurehead II«,
2000<br />
Cassette tape, oil paint on canvas,
200 x 200<br />

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Gregor Hildebrandt has created a foresail and mainsail, made to fit a 12-metre sailing yacht. With this boat, the artist, a skipper and a crew, sailed from Cyprus to Tel Aviv on 19 October 2017. Hildebrandt says: “For me the sail is the metaphor of bringing my art to Tel Aviv.” Regardless of the artist’s personal motivation, however, this voyage also receives something unintentionally and clearly political: Cyprus and Tel Aviv, an eastern point of the western world and a western point of the eastern world. The two black sails have been meticulously woven from the tape of audio-cassettes. The songs recorded on these tapes are dedicated to travel, the sea and sailing. “Love among the Sailors” by Laurie Anderson, “Sailor Man” by Tocotronic or “To Damascus” by Phantom, Ghost from 2003, where it says: „From the long forgotten garden / On a ship tie to the mast / I‘m sailin‘ over to Damascus / Driven forward by the past / And in the long forgotten chaos / Sits the one I’m looking for / Sailing over to Damascus / Landing on this desert shore”

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Gregor Hildebrandt has created a foresail and mainsail, made to fit a 12-metre sailing yacht. With this boat, the artist, a skipper and a crew, sailed from Cyprus to Tel Aviv on 19 October 2017. Hildebrandt says: “For me the sail is the metaphor of bringing my art to Tel Aviv.” Regardless of the artist’s personal motivation, however, this voyage also receives something unintentionally and clearly political: Cyprus and Tel Aviv, an eastern point of the western world and a western point of the eastern world. The two black sails have been meticulously woven from the tape of audio-cassettes. The songs recorded on these tapes are dedicated to travel, the sea and sailing. “Love among the Sailors” by Laurie Anderson, “Sailor Man” by Tocotronic or “To Damascus” by Phantom, Ghost from 2003, where it says: „From the long forgotten garden / On a ship tie to the mast / I‘m sailin‘ over to Damascus / Driven forward by the past / And in the long forgotten chaos / Sits the one I’m looking for / Sailing over to Damascus / Landing on this desert shore“

»Großer Kassettensetzkasten«,
2009<br />
dispersion on cardboard, plastic in wooden case,
301 x 792 x 12 cm<br />

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