Just below the ceiling of the exhibition space, printers spit out sheets of paper at irregular intervals. They fall down before walls with a white-and-gray grid, whose pattern is based on Photoshop’s transparency grid. Florian Meisenberg invited friends, artists, authors, and curators to send tweets and posts to these printers during the exhibition “Somewhere sideways, down, at an angle, but very close”. By nature immaterial and ephemeral, these messages become physically present in the exhibition space and “perform a short dance”, as Meisenberg says, before they land on the gallery’s floor, where they remain and pile up.
