After Fire
Group exhibition, featuring Thomas Wachholz
Gallery 1-5, Aranya Center
Aranya Community, Qinhuangdao, China
Exhibition: 3 April - 6 September 2026
Fire is one of the earliest natural forces that humanity learned to harness, yet it has never been fully tamed. The group exhibition After Fire takes nearly a hundred fire-making tools—spanning several centuries and originating from all over the world—as a point of departure to initiate a dialogue with works by more than ten contemporary artists from diverse cultural backgrounds. By retracing the history of fire control, the exhibition explores the complex and often contradictory relationship between fire and human society. In an era that is being constantly “ignited,” After Fire invites viewers to reflect on the metaphors of fire and the pressing realities it presents today.
This exhibition is organized by Assistant Curator Jiang Ruoyu and Associate Curator Wu Yiyang at the Aranya Art Center.
The first instance of fire-making marked the beginning of a long relationship. Fire sparked leaps in human civilization and technology, while also setting humanity on a path of trials that persists to this day. We still live in an era driven by “combustion”: energy flows unseen beneath the ground, through pipes and engines; fire is embedded within infrastructures, becoming the hidden heart of cities and global systems. At the same time, uncontrolled wildfires, the fires of war, and climate crises constantly remind us of the cost of this dependence.
The continual evolution of fire-making tools forms material cross-sections of systems, faith, war, industry, and consumer society. Across time and geography, they trace the trajectory of humanity’s interaction with fire. These tools appear throughout five galleries, juxtaposed with contemporary artworks and reactivated as media for understanding the present.
This exhibition seeks to open a perceptual passage between past and present. From minuscule sparks to vast energy networks, from handheld firesteels to massive industrial installations, fire touches the most intimate everyday experience while also being deeply rooted in the structure of civilization. The exhibition invites us to reexamine how fire has shaped the world we inhabit and the ways we understand it, and how our journey with fire straddles the line between dominance and dependence.
